The comic is only further leveraged by the stupendous art of Alexander and the controlled use of coloring from NCT. That unpredictability allows the reader to truly connect with the story for the simple fact of wanting to know more, to know why.
In Volume 3, he blends current events with even deep levels of mythology, introducing concepts beyond heaven and hell and pulling in Gods of all backgrounds.Īs the scope of the story continues to grow, it’s difficult to anticipate where everything is heading. We’re looking at you American Gods, which for those who don’t know, Barnes was a writer on.īarnes himself goes above and beyond as he has created this terrifyingly engaging story that I don’t want to stop reading. Volume 3 delves so far into the occult it even takes the time to make meta inner references to other shows dealing with the same themes. What astonishes me about Killadelphia is that not only is it a genuinely spectacular horror series, but it also keeps elevating itself the deep within the series we get. We witnessed heaven, hell, the underworlds ferryman, demons, beasts, and the return of John Adams. Volume 2 built upon a lot of the foundation from Volume 1 and then cranked that crazy dial up to 11. Set in the heart of Philadelphia, our story exists at a time when an uprising of horrific proportions amasses and threatens to destroy all of humanity. Killadelphia Volume 3 is published by Image Comics, written by Rodney Barnes, with art by Jason Shawn Alexander, Well-Bee, and Chris Mitten, colors by Luis NCT, and lettering by Marshall Dillon.
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